Che Bartolo

Enrique Cadícamo's song "Che Bartolo" is a vivid portrayal of a character who is trying to present himself as something he is not. The lyrics are rich with Argentine slang and cultural references, painting a picture of Bartolo as a pretentious individual who attempts to disguise his true nature with a facade of sophistication and nobility. The narrator, who identifies himself as a more authentic figure from the streets, calls out Bartolo's pretensions and challenges his false persona.

The song opens with a direct confrontation, where the narrator accuses Bartolo of being a "gran vivillo de aspamento" (a big show-off) and a "malandrín de meta y ponga" (a swindler). The narrator is not fooled by Bartolo's flashy appearance and moniker, "el marqués de Boccanegra," and instead sees through to his true, less glamorous origins. The use of terms like "bacán de rango mishio" (a poor man pretending to be rich) and references to Bartolo's father, who is depicted as a drunkard, further emphasize the disparity between Bartolo's appearance and reality.

Cadícamo's lyrics also delve into themes of social mobility and authenticity. The narrator mocks Bartolo's attempts to climb the social ladder, suggesting that his true place is among the "negros candomberos" (a reference to Afro-Argentine communities known for their candombe music and dance). This highlights the societal divisions and the futility of trying to escape one's roots through superficial means. The song's tone is both critical and mocking, using humor and sharp wit to expose the pretensions of those who try to mask their true selves.

"Che Bartolo" is a powerful commentary on identity, social status, and the importance of authenticity. Through its colorful language and vivid imagery, the song captures the essence of Buenos Aires' street life and the characters that inhabit it, making it a timeless piece in the tango repertoire.