Guitarras de Cartón

Eruca Sativa's song 'Guitarras de Cartón' delves into the themes of youthful innocence, disillusionment, and the cyclical nature of life. The title itself, which translates to 'Cardboard Guitars,' serves as a metaphor for the fragile and often illusory beliefs we hold in our youth. The song opens with a nostalgic reflection on past beliefs, such as the grandeur of heroes and the invincibility of dreams, symbolized by 'torres de babel' (towers of Babel) and 'violas de cartón' (cardboard violins). These images evoke a sense of wonder and naivety, suggesting that the things we once held dear were as flimsy as cardboard.

As the song progresses, the narrator experiences a form of awakening, described as 'caigo nueva en el mundo' (I fall new into the world). This line signifies a rebirth or a new perspective, where the narrator begins to see the world more clearly, deciphering 'cada cara de este sol' (every face of this sun). This newfound clarity brings with it a recognition of past deceptions, both self-inflicted and external. The lyrics 'también supe engañar con mis mentiras más hermosas' (I also knew how to deceive with my most beautiful lies) highlight the bittersweet nature of these realizations.

The song concludes with a philosophical reflection on the nature of existence and the passage of time. The lines 'El futuro y la memoria van pisando nuestros pasos' (The future and memory tread on our steps) suggest that our past and future are intertwined, constantly influencing our present. The final verse, 'La historia nos mostró que para renacer hay que morir primero' (History showed us that to be reborn, one must first die), encapsulates the song's central theme of transformation and renewal. This cyclical process of dying and being reborn is a powerful reminder of the resilience of the human spirit.