Callejon de Un Solo Caño

Eva Ayllón's 'Callejon de Un Solo Caño' is a vibrant homage to the rich cultural tapestry of Peru, particularly its capital, Lima. The song paints a vivid picture of a traditional Peruvian alleyway, alive with the sounds of music and dance. Ayllón, a celebrated Afro-Peruvian singer, is known for her powerful voice and her ability to convey the essence of 'música criolla,' a genre that blends Spanish, African, and Andean influences.

The lyrics evoke the sensory experiences of a lively neighborhood where the strumming of guitars and the clicking of castanets fill the air, keeping the residents awake with their melodies. The mention of 'vihuelas' and 'castañuelas' points to the Spanish influence on Peruvian music. The song describes a scene where people gather to enjoy 'marinera,' a traditional coastal dance, and 'vals criollo,' a Peruvian waltz, suggesting a communal celebration of life through music and dance. The 'cuarto dieciséis' (room sixteen) might refer to a specific place known for such gatherings.

The playful and somewhat nonsensical phrases like 'Troquimoqui troquitroqui' and 'Acurrucucu paloma échale caliche al chancho' add a whimsical element to the song, reflecting the joyous spirit of Peruvian festivities. These lines, along with the call for more wine and pisco, Peru's national spirit, underscore the convivial atmosphere of the scene. Ayllón's song is not just a musical piece but a celebration of Peruvian identity, inviting listeners to partake in the communal joy and revelry that music brings to the streets of Peru.