Oh What a Circus
Evita
The Theatrical Farewell of Eva Perón: A Nation's Mourning
The song "Oh What a Circus" from the musical *Evita* captures the intense and almost theatrical mourning that swept Argentina following the death of Eva Perón. The lyrics, sung by the character Che, reflect a mix of admiration, skepticism, and critique of Eva's legacy. The opening lines set the stage for the national hysteria, describing the country as having gone 'crazy' over the death of an actress-turned-political figure. This sets up a contrast between the public's emotional response and Che's more cynical view of the situation.
Che's narrative questions the almost divine reverence given to Eva, referring to her as 'Santa Evita' and pondering the nature of her influence. He acknowledges her moments of style and the spectacle she created, particularly the massive crowds outside the Casa Rosada. However, he also points out the emptiness behind the spectacle, suggesting that Eva did little of substance in her later years. This duality captures the complexity of Eva Perón's legacy, as both a beloved figure and a controversial one.
The song also delves into the idea of show business and politics intertwining, with Che lamenting that Argentina had a 'stage' instead of a government and a 'prima donna's rage' instead of ideas. This metaphor extends to the finality of Eva's death, marking the end of an era where glamour and spectacle overshadowed genuine political progress. The crowd's Latin chant, juxtaposed with Che's biting commentary, underscores the deep divide between public perception and the harsh reality. Eva's own lines towards the end, urging the people not to cry for her and to share in her glory and coffin, add a poignant touch, suggesting a shared national identity in both triumph and tragedy.
The song ultimately serves as a critique of the cult of personality surrounding Eva Perón, while also acknowledging the deep emotional impact she had on the Argentine people. It highlights the tension between myth and reality, and the ways in which public figures can become larger-than-life symbols, for better or worse.