Liquid

Exist†trace's song 'Liquid' delves into the complex interplay between beauty and darkness, exploring themes of inner turmoil, unrequited love, and the desire for redemption. The lyrics paint a vivid picture of two contrasting characters: one with a gentle heart who is always smiling, and another who perceives themselves as ugly and tormented. This dichotomy sets the stage for a narrative that is both haunting and poignant.

The gentle-hearted individual, described as always smiling, seems to have lost the ability to feel or see anything, as indicated by the line 'sono me ni wa mou nani mo utsuranai keredo' (nothing reflects in those eyes anymore). This could symbolize emotional numbness or a state of being detached from reality. On the other hand, the narrator, who views themselves as 'minikui' (ugly), is engulfed in a metaphorical smoke, struggling to find clarity and peace. The imagery of 'hai ni mamire ten wo aoideru' (covered in ashes, looking up at the sky) suggests a longing for purity and a higher state of being.

The recurring plea to 'kirisaite yuganda karada tsunaida te' (tear apart this twisted body, these connected hands) and the desire to reveal the true heart of the gentle individual underscores a deep yearning for connection and understanding. The narrator is willing to sacrifice themselves, as expressed in 'kanki no koe ga hibikunara kono mi wo sasagete mo ii' (if the voice of joy resounds, I would even offer my body), to bring joy to the other person. This self-sacrificial love is both tragic and beautiful, highlighting the narrator's desperation and devotion.

The song concludes with a wish for rebirth and a final smile from the gentle-hearted individual, encapsulating the themes of redemption and hope. The line 'kakikeshite mou ichido umare kawaretara saigo ni warau anata no kokoro no naka ni' (if I could be reborn once more, I would be in the heart where you smile at the end) suggests a desire for a fresh start and a happier ending, free from the pain and suffering that currently binds them.