Llego Tarde

Fabiana Cantilo Fabiana Cantilo

Racing Against Time: A Journey Through Heartache in 'Llego Tarde'

In 'Llego Tarde,' Fabiana Cantilo captures the essence of urgency and emotional turmoil. The repeated phrase 'llego tarde' (I'm late) underscores a frantic rush to reconnect with someone important before the break of dawn. This sense of urgency is further emphasized by the plea to a taxi driver to run a red light, highlighting the desperation to bridge the emotional distance that has grown between the singer and her significant other. The lyrics paint a vivid picture of a woman racing against time, driven by the need to mend a fractured relationship.

The song delves into themes of misunderstanding and emotional disconnect. Cantilo reflects on the past, acknowledging that her partner never truly understood her ('nunca supiste ver mi luz'). This realization brings a sense of sorrow and resignation, as she imagines the end of their relationship. The metaphor of carrying a cross suggests a burden that has been unfairly placed on her, leading to a poignant moment of self-awareness and the decision to escape the situation. The imagery of being 'sola en Baires' (alone in Buenos Aires) evokes a feeling of isolation in a bustling city, amplifying the emotional weight of her solitude.

Fabiana Cantilo's 'Llego Tarde' is a powerful exploration of love, loss, and the struggle for self-identity. The song's narrative is a journey through the complexities of a relationship that has reached its breaking point. The recurring motif of being late serves as a metaphor for missed opportunities and the relentless passage of time. Ultimately, the song is a testament to the resilience of the human spirit, as Cantilo chooses to move forward, even if it means facing the cold reality of being alone in a vast city.

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  1. Mary Poppins y El Deshollinador
  2. Amanece En La Ruta
  3. Mi Enfermedad
  4. Mujeres
  5. En El Caribe Sur
  6. Ya Sé Que Hacer
  7. Amor Equivocado
  8. Nada Es Para Siempre
  9. Na Na Na Na
  10. El Tiempo no Para
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