Coda Di Lupo

Fabrizio De André's song "Coda Di Lupo" is a profound narrative that delves into themes of disillusionment, rebellion, and the search for identity. The song's protagonist recounts his life journey, starting from his innocent childhood, where he was enamored with everything and everyone, symbolized by his chasing after dogs. His grandfather, a figure of wisdom and protection, watched over him and the natural world around them. The line "al dio degli inglesi non credere mai" (never believe in the god of the English) introduces a recurring theme of skepticism towards imposed beliefs and authorities.

As the protagonist grows older, he experiences a rite of passage by stealing his first horse, marking his transition into manhood and adopting the name "Coda di lupo" (Wolf's Tail). This act of rebellion signifies his rejection of societal norms and the gods of the conquerors. The imagery of his grandfather crucified on a church with dinner forks, clean and dirty with blood and cream, is a powerful metaphor for the brutal clash between indigenous cultures and colonial forces. The repeated refrain of not believing in various gods underscores a deep-seated mistrust of external authorities and their promises.

The song continues to chronicle the protagonist's life, filled with acts of defiance and survival. From killing a man in a tuxedo to the absurdity of a bison hunt regulated by urine tests, De André paints a picture of a world where traditional values are upended, and the protagonist's identity is constantly challenged. The reference to Little Big Horn and the general speaking at a university highlights the ongoing struggle between indigenous peoples and colonizers. The protagonist's final reflections, having lost his memory and burned twenty children, reveal a deep sense of loss and the futility of his rebellion. The song ends with a poignant reminder to never believe in a breathless god, symbolizing the ultimate disillusionment with all forms of imposed authority.