São Paulo - Auschvitz Versão Brasileira

Facção Central Facção Central

São Paulo: A Modern-Day Auschwitz

Facção Central's song "São Paulo - Auschvitz Versão Brasileira" is a raw and unfiltered portrayal of life in the favelas of São Paulo, drawing a stark comparison to the horrors of Auschwitz. The song opens with a reference to the Universal Declaration of Human Rights, highlighting the irony and disillusionment felt by those living in the city's marginalized communities. The lyrics paint a grim picture of violence, poverty, and systemic oppression, suggesting that the promise of freedom and security is nothing but a cruel joke for many residents.

Eduardo's verses delve into the brutal realities faced by the inhabitants of São Paulo's favelas. He describes a world where love is impossible, and survival often means engaging in criminal activities. The imagery of being hunted like a rat by the police and the hopelessness of facing a biased judicial system underscores the dehumanization and despair experienced by the poor. The mention of aborting a fetus to prevent it from becoming another victim of the system is a poignant commentary on the lack of future prospects for the youth in these communities.

Dum Dum's verses continue this narrative, highlighting the corruption and hypocrisy within the law enforcement and judicial systems. He speaks of the ease with which wealthy criminals can escape justice, contrasting it with the harsh reality faced by those without money or power. The reference to wanting to be a terrorist like Bin Laden to attack the Congress is a hyperbolic expression of the deep-seated anger and frustration felt by those who see no other way to fight back against systemic injustice. The song's repeated refrain, "Embaixo da chuva de tiro, testemunha do genocídio," reinforces the sense of living in a war zone, where survival is a daily struggle.

"São Paulo - Auschvitz Versão Brasileira" is a powerful critique of the social and economic inequalities that plague São Paulo. It uses stark and often shocking imagery to convey the desperation and anger of those living in the city's most marginalized communities. The song serves as a call to action, urging listeners to confront and address the systemic issues that perpetuate this cycle of violence and poverty.

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  1. Aonde o Filho Chora e a Mãe Não Vê
  2. Hoje Deus Anda de Blindado
  3. Apologia Ao Crime
  4. Roleta Macabra
  5. Sei Que Os Porcos Querem Meu Caixão
  6. Sonhos Que Eu Nao Quero Ter
  7. Eu Não Pedi Pra Nascer
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