Altos Del Rosario

Farid Ortiz Farid Ortiz

A Heartfelt Farewell in 'Altos Del Rosario'

Farid Ortiz's song 'Altos Del Rosario' is a poignant narrative that captures the emotional weight of farewells and the impact of departure on a close-knit community. The repetition of phrases like 'lloraban los muchachos' (the boys were crying) and 'lloraban las mujeres' (the women were crying) underscores the collective sorrow felt by the people as they witness the departure of a beloved individual. This repetition not only emphasizes the depth of their grief but also creates a rhythmic lament that resonates with the listener.

The song's setting in 'Altos Del Rosario' and the mention of specific individuals like Martín Rodríguez and Avendaño add a layer of personal connection and authenticity. These names likely represent real people or archetypes within the community, making the song a tribute to the bonds formed in such environments. The reference to 'la fiesta' (the party) continuing or ending based on the presence of certain individuals highlights the central role these figures play in the social fabric of the community. Their departure signifies not just a physical absence but a disruption of the communal joy and togetherness.

Culturally, 'Altos Del Rosario' reflects the traditional values of Colombian Vallenato music, which often centers on themes of love, loss, and community. Farid Ortiz, known for his emotive voice and storytelling prowess, uses this song to convey a universal experience of saying goodbye, while also grounding it in the specific cultural context of his homeland. The song becomes a vessel for expressing collective emotions, making it a powerful piece that resonates with anyone who has experienced the pain of parting and the longing for reunion.

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  1. Prisionero de Amor
  2. ES MEJOR NO DECIRLO
  3. Quién Fue
  4. S.O.S.
  5. Altos Del Rosario
  6. Se Acabaron
  7. Amor Prohibido
  8. Solo En La Vida (feat. Emilio Oviedo)
  9. Aunque Mal Paguen Ellas
  10. Solo Los Dos
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