Se Acabaron

Farid Ortiz Farid Ortiz

The End of Idealized Love: A Heartfelt Lament in 'Se Acabaron'

In 'Se Acabaron,' Farid Ortiz delves into the complexities of unrequited love and the pain of not being accepted for who you are. The song's protagonist is deeply in love with a woman who does not reciprocate his feelings, primarily because she perceives him as a 'parrandero' (party-goer) and a 'mujeriego' (womanizer). Despite his genuine affection and his attempts to explain his true feelings, she remains unconvinced, longing for an ideal man who, according to the singer, no longer exists. This sentiment is poignantly captured in the repeated refrain, 'Esos hombres se acabaron ya' (Those men are gone now).

Ortiz's lyrics reflect a sense of despair and frustration. The protagonist questions why he has to endure such emotional suffering despite being a good father and son. He pleads for the woman to either love him or leave him, as the uncertainty is tearing him apart. This plea highlights the emotional turmoil that comes with unrequited love and the longing for acceptance. The repetition of 'Se acabaron' underscores the finality and hopelessness he feels, as if the kind of love he seeks is a relic of the past.

Culturally, the song touches on traditional gender roles and expectations in relationships. The woman’s desire for a 'soltero' (single man) who is not a party-goer or womanizer reflects societal ideals that may no longer be realistic. Ortiz's lament suggests a shift in these ideals, acknowledging that people are complex and multifaceted. The song resonates with anyone who has felt misunderstood or judged based on societal stereotypes, making it a powerful commentary on the evolving nature of love and relationships.

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  1. Borrón y cuenta nueva
  2. ES MEJOR NO DECIRLO
  3. Prisionero de Amor
  4. Quién Fue
  5. S.O.S.
  6. Altos Del Rosario
  7. Se Acabaron
  8. Amor Prohibido
  9. Solo En La Vida (feat. Emilio Oviedo)
  10. Aunque Mal Paguen Ellas
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