O.D.O.O. (Overtake Don Overtake Overtake...

Fela Kuti's 'O.D.O.O. (Overtake Don Overtake Overtake)' is a powerful critique of the political and social landscape in Nigeria and other African countries. The song's title and recurring chorus, 'Overtake don overtake overtake,' symbolize the endless cycle of military and civilian governments that fail to bring about meaningful change. Kuti uses his lyrics to highlight the frustration and disillusionment of the African people, who see their plans and aspirations constantly thwarted by corrupt and ineffective governance.

The song delves into the various names given to governments across Africa, such as 'Federal Military Government' in Nigeria, 'Liberation Council' in Libya, and 'Revolutionary Council' in Zaire. Despite these different titles, Kuti emphasizes that they are all essentially the same: 'soldier go, soldier come.' This phrase underscores the transient nature of these regimes and their inability to provide stability or progress. Kuti's use of repetition and call-and-response in the chorus reinforces the idea that the people are trapped in a never-ending loop of poor leadership.

Kuti also addresses the economic hardships faced by ordinary Africans. He narrates the story of a friend who struggles to save money to buy a fan, only to see the price increase due to government policies. This anecdote serves as a metaphor for the broader economic challenges that plague the continent, where inflation and corruption make it nearly impossible for people to improve their living conditions. The song's vivid imagery and poignant storytelling paint a bleak picture of life in Africa, where 'suffer don daburu him sense' (suffering has destroyed his sense).

Throughout 'O.D.O.O.,' Kuti references his previous songs like 'Zombie,' 'Shuffering and Shmiling,' and 'Unknown Soldier,' creating a tapestry of his ongoing critique of African politics and society. These references serve to remind listeners of the persistent issues that have plagued the continent for decades. Kuti's music is not just entertainment; it is a form of activism, a call to awareness, and a demand for change. His fusion of Afrobeat rhythms with politically charged lyrics makes 'O.D.O.O.' a compelling and enduring piece of art that continues to resonate with audiences today.