À Saint-Germain-des-Prés

Léo Ferré's song 'À Saint-Germain-des-Prés' is a nostalgic ode to the bohemian lifestyle and the literary heritage of the Saint-Germain-des-Prés neighborhood in Paris. The lyrics paint a vivid picture of the artist's life in this iconic area, where he imagines nightly rendezvous with famous poets like Verlaine and Apollinaire. This setting is not just a physical location but a symbol of artistic freedom and intellectual camaraderie. The mention of these historical figures serves to elevate the mundane struggles of contemporary poets and artists, suggesting a timeless connection between past and present creative spirits.

The song delves into the hardships faced by these modern-day bohemians, who, despite their financial struggles, are 'rich to the point of dying' in their dreams and intellectual pursuits. Ferré contrasts their material poverty with their wealth of imagination and cultural capital. The imagery of 'rimeurs fauchés' (broke rhymers) who 'speak Latin and are no longer hungry' underscores the idea that their true sustenance comes from their art and their community. This romanticized view of poverty and artistic struggle is a recurring theme in Ferré's work, reflecting his own experiences and beliefs.

As the song progresses, Ferré invites listeners to walk through the streets of Saint-Germain-des-Prés and recognize the ghosts of literary greats like Jean Racine and Paul Valéry. This invitation serves as a reminder of the enduring legacy of these artists and the cultural richness of the neighborhood. By saluting these 'grands fauchés' (great broke ones), Ferré pays homage to the spirit of creativity and resilience that defines Saint-Germain-des-Prés. The song is both a celebration and a lament, capturing the bittersweet reality of a life devoted to art in a world that often undervalues it.