Desarma Y Sangra

Fito Páez's song 'Desarma Y Sangra' delves into the fragility and complexity of human existence. The opening lines, 'Tu tiempo es un vidrio, Tu amor un fakir, mi cuerpo una aguja, Tu mente un tapiz,' use vivid metaphors to describe the delicate and intricate nature of life. Time is likened to glass, easily shattered, while love is compared to a fakir, suggesting endurance and pain. The body is a needle, sharp and precise, and the mind is a tapestry, woven with thoughts and experiences. These metaphors set the stage for a reflection on the vulnerability and interconnectedness of our lives.

The song continues with a critique of societal norms and the human condition. 'Si las sanguijuelas no pueden herirte, No existe una escuela que enseñe a vivir,' implies that if one is not harmed by leeches, there is no school that can teach one how to live. This suggests that suffering and pain are intrinsic to the human experience and that no formal education can prepare us for the complexities of life. The imagery of the 'angel vigía' who discovers the thief and punishes him by cutting off his hands and taking his voice, symbolizes the harsh judgments and consequences that society imposes on individuals.

In the final lines, 'Miro alrededor, Heridas que vienen, sospechas que van, Y aquí estoy, Pensando en el alma que piensa, Y por pensar no es alma, Desarma y sangra,' Páez reflects on the wounds and suspicions that surround us. He contemplates the soul that thinks, and by thinking, it ceases to be a soul, leading to disarmament and bleeding. This poignant conclusion underscores the existential struggle of overthinking and the emotional toll it takes. The song is a profound meditation on the human condition, exploring themes of vulnerability, societal judgment, and the existential quest for meaning.