Crimenes perfectos

Fito Páez's song 'Crimenes perfectos' delves deep into the emotional turmoil of heartbreak and loneliness. The opening lines immediately set the tone, asking if the listener has ever experienced a broken heart. This rhetorical question draws the audience into a shared space of vulnerability and pain. The lyrics describe the haunting nature of unresolved issues, suggesting that they can drive a person to madness. The recurring theme of loneliness is symbolized by the metaphor of a coin falling on the side of solitude, emphasizing the inevitability and recurrence of this feeling in the narrator's life.

The song also touches on the broader context of societal indifference and the impact of historical events. Páez references growing up during the 1978 World Cup, a period marked by political turmoil and repression in Argentina. This backdrop of paranoia and pain adds another layer to the personal anguish described in the song. The line 'todo lo que termina, termina mal' (everything that ends, ends badly) reflects a sense of pessimism and the idea that unresolved issues only worsen over time, becoming covered in metaphorical dust.

The chorus, 'no me lastimes con tus crímenes perfectos,' speaks to the pain inflicted by someone who seems indifferent to the suffering they cause. The 'perfect crimes' could be seen as emotional wounds that are inflicted with precision and without remorse. The song's repetition of the coin metaphor underscores the persistent and unrelenting nature of loneliness and sorrow. Through its poignant lyrics and evocative imagery, 'Crimenes perfectos' captures the essence of heartache and the enduring impact of personal and societal wounds.