Construcción

Fito Páez's song 'Construcción' is a poignant narrative that delves into the life of a construction worker, capturing the essence of his daily struggles and the fleeting nature of existence. The lyrics paint a vivid picture of a man who approaches every moment with a sense of finality and urgency, as if each action could be his last. This is evident in lines like 'Amó aquella vez como si fuese última' (He loved that time as if it were the last) and 'Besó a su mujer como si fuese última' (He kissed his wife as if it were the last). These repetitions emphasize the precariousness of his life and the intensity with which he lives each moment.

The song uses powerful metaphors to illustrate the worker's life. The construction site becomes a symbol of both creation and destruction. The worker 'subió a la construcción como si fuese máquina' (climbed the construction as if he were a machine), highlighting the dehumanizing nature of his labor. His eyes are 'embotados de cemento y lágrimas' (clouded with cement and tears), suggesting the physical and emotional toll of his work. The tragic climax of the song, where he 'tropezó en el cielo con su paso alcohólico' (stumbled in the sky with his alcoholic step) and 'terminó en el suelo como un bulto flácido' (ended on the ground like a limp bundle), underscores the fragility of his existence and the harsh realities of his life.

Culturally, 'Construcción' reflects the socio-economic conditions faced by many laborers in Latin America. The repetitive nature of the lyrics mirrors the monotonous and often perilous routine of manual labor. The song also touches on themes of gratitude and resignation, as seen in the recurring phrase 'Dios le pague' (God bless him), which can be interpreted as a bitter acknowledgment of the worker's sacrifices and the meager rewards he receives. Páez's poignant storytelling and evocative imagery invite listeners to reflect on the value of human life and the often overlooked contributions of those who build the world around us.