De Mil Novecientos Veinte

Fito Páez's song 'De Mil Novecientos Veinte' is a rich tapestry of imagery and emotion, weaving together themes of struggle, nostalgia, and existential questioning. The song opens with a vivid metaphor, 'Muérdele la cola, sácale los dientes,' which translates to 'Bite its tail, pull out its teeth.' This line sets a tone of confrontation and survival, suggesting a fight against something predatory or oppressive. Páez's lyrics often delve into the complexities of human experience, and this song is no exception.

The reference to 'dos muchachas en mil nueve veinte' (two girls in 1920) evokes a sense of nostalgia and a longing for simpler times, far removed from the chaos and noise of the present. This historical reference serves as a contrast to the modern struggles depicted in the song, highlighting a yearning for a past that seems more innocent and peaceful. The mention of 'Constitución,' a well-known neighborhood in Buenos Aires, grounds the song in a specific cultural and geographical context, adding layers of meaning for listeners familiar with the area.

As the song progresses, Páez introduces the idea of an internal war, where 'el enemigo puedo ser yo' (the enemy could be me). This introspective line speaks to the internal conflicts and self-doubt that many people face. The lyrics also touch on themes of displacement and the search for home, asking '¿Dónde está mi casa?' (Where is my home?). The song's existential questions and vivid imagery create a powerful narrative that resonates with listeners on multiple levels, making 'De Mil Novecientos Veinte' a poignant reflection on the human condition.