Trova-tur

Frank Delgado's song "Trova-tur" paints a vivid picture of a troubadour's life in Havana, blending humor, cultural references, and social commentary. The protagonist describes himself as a 'trova-tur,' a play on the words 'troubadour' and 'tourist,' highlighting his role as a singer who entertains foreigners. He humorously notes that the currency he earns from his performances is so unconventional that it can't be stored in a wallet, symbolizing the unique and often intangible rewards of his lifestyle.

The song delves into the duality of the protagonist's identity, portraying him as a 'tropical virus' and a 'communist Latin lover' who traffics in revolutionary ideas. This duality is further emphasized by his ability to quote both Karl Marx and Lydia Cabrera, showcasing his intellectual versatility and deep connection to Cuban culture. The references to historical figures like Eusebio Leal and landmarks such as the Malecón and places associated with Christopher Columbus and Ernest Hemingway add layers of historical and cultural depth to the narrative.

The protagonist's adventures take a humorous turn as he navigates different identities, even pretending to be Brazilian and Argentine. However, his charade is eventually exposed, leading to a moment of reckoning where he is advised to 'become a tourist again' if he wishes to disappear. The song concludes with a twist of fate, as the protagonist marries a Cuban woman, suggesting a return to his roots and a deeper connection to his homeland. Through its witty lyrics and rich cultural references, "Trova-tur" offers a poignant yet playful exploration of identity, belonging, and the complexities of life in Havana.