JESUS

Fuerza Regida's song 'JESUS' delves into the complexities of street life, ambition, and the pursuit of a better future. The lyrics paint a vivid picture of a young man who is deeply entrenched in a lifestyle that is both dangerous and alluring. The opening lines, 'No está pelada andar de vago / ¿Cómo rajarme si ando entrado?' reflect the protagonist's acknowledgment of the risks involved in his way of life, yet he remains committed to it. The mention of 'Dulce Peri' and 'las botellas de cristal' suggests a life filled with indulgence and excess, while 'las muñequitas bien buenas, tipo Bratz' highlights the superficial attractions that come with it.

The protagonist's relationship with his mother is also touched upon, as she warns him to be careful, unaware of the full extent of his involvement in the street life. 'Mi jefa dice: Ten cuidado / Supiera que soy cholo vago' reveals a sense of duality in his existence—one where he is both a loving son and a 'cholo vago' or street thug. The recurring theme of money and materialism is evident in lines like 'Las babies se aceleran / Cuando ven las pacas de a deveras,' indicating that wealth and luxury are significant motivators and attractors in his world.

Despite the apparent glamour, there is an underlying sense of caution and a desire for something more stable. The lines 'Gracias a Dios, ya no son cuadros / Dinero clean, ya no es manchado' suggest a transition from illicit activities to legitimate earnings, hinting at a hope for redemption and a better future. The song encapsulates the tension between the allure of the street life and the aspiration for a more secure and respectable existence, making it a compelling narrative of struggle, ambition, and transformation.