Um, dois, três, quatro!

Garageira's song "Um, dois, três, quatro!" is a powerful and raw commentary on the social and economic issues plaguing Brazil. The lyrics are direct and unfiltered, reflecting the frustration and anger of the working class. The repeated counting, "Um, dois, três, quatro!" ("One, two, three, four!"), serves as a rhythmic and emphatic call to attention, almost like a protest chant. This repetition underscores the urgency and the cyclical nature of the problems being addressed.

The song paints a bleak picture of Brazil, highlighting issues such as unemployment, the devaluation of workers, and the lack of educational opportunities for children. The line "Trabalhador desempregado! Não vale nenhum centavo!" ("Unemployed worker! Not worth a cent!") starkly illustrates the economic struggles faced by many. Similarly, "Criança sem escola! Viva o país da bola!" ("Child without school! Long live the country of football!") criticizes the prioritization of football over essential services like education.

The chorus, "Esse é o retrato do Brasil! Que eu mando ir pra puta que o pariu!" ("This is the portrait of Brazil! That I send to hell!") is a bold and explicit rejection of the current state of affairs. It conveys a deep sense of disillusionment and anger towards the systemic issues that persist in the country. Garageira's musical style, characterized by its raw energy and punk influences, amplifies the rebellious and confrontational tone of the song, making it a powerful anthem for those who feel marginalized and unheard.

The song's raw and unfiltered approach to addressing social issues makes it a poignant and relevant piece of music, resonating with many who experience these struggles daily. It serves as both a critique and a call to action, urging listeners to recognize and challenge the injustices in their society.