Scusa

Gazzelle's song 'Scusa' delves into the complexities of love, regret, and the passage of time. The lyrics paint a picture of a relationship on the brink, where broken dreams and unfulfilled desires linger in the background. The repeated plea for forgiveness ('scusa') underscores a deep sense of remorse and the desire to mend what has been damaged. The song's opening lines, 'E non c'è niente / A parte noi / A parte i sogni rotti / E quelli che non vuoi,' set the tone for a narrative steeped in melancholy and introspection. Here, Gazzelle reflects on the isolation that comes with broken dreams and the things left unsaid or undone in a relationship.

The chorus, with its repetitive 'scusa,' serves as a poignant reminder of the protagonist's acknowledgment of their mistakes. The lines 'E fermati qui / E resta così / Prima che il tempo porti via ogni cosa' highlight a desperate plea to pause time and hold onto the fleeting moments before everything is lost. This sentiment is further emphasized in the lines 'E sarò io / E sarai te / L'unica cosa al mondo da non perdere,' suggesting that despite the chaos and mistakes, the relationship is still seen as something precious and worth saving.

As the song progresses, the narrative becomes more self-critical. The protagonist admits to ruining everything once again, leading to the partner's departure. The imagery of 'pezzi di cuore a terra, pezzi di porta' vividly captures the emotional and physical wreckage left behind. The self-deprecating lines 'Sono un disastro, okay, chi se ne importa' and 'Sono una merda, okay' reveal a deep sense of self-loathing and resignation. Despite this, the repeated refrain 'Non è mica così' suggests a lingering hope or denial, as if the protagonist is trying to convince themselves that things aren't as bad as they seem.

Gazzelle's 'Scusa' is a raw and honest exploration of the fragility of love and the weight of regret. It captures the universal struggle of trying to hold onto something precious while grappling with one's own flaws and mistakes.