Blood On The Rooftops
Genesis
Nostalgia and Disillusionment in 'Blood On The Rooftops'
Genesis' song 'Blood On The Rooftops' is a poignant reflection on the disillusionment and escapism that can come with modern life. The lyrics paint a picture of a mundane, repetitive existence, where the protagonist finds solace in the familiar routines of watching TV and avoiding the harsh realities of the world. The opening lines, 'Dark and grey, an English film, the Wednesday Play / We always watch the Queen on Christmas Day,' set a tone of nostalgia for simpler times, while also hinting at the monotony of daily life.
The song juxtaposes the protagonist's desire to escape with the overwhelming nature of global events. Lines like 'Let's skip the news boy (I'll make some tea) / Arabs and Jews boy (too much for me)' highlight a sense of helplessness and confusion in the face of complex geopolitical issues. This sentiment is further emphasized with the line 'And the thing I hate--Oh Lord! / Is staying up late, to watch some debate, on some nation's fate,' showcasing a weariness with the endless cycle of news and debates that seem far removed from the individual's control.
The chorus, 'Blood on the rooftops--Venice in the Spring / The Streets of San Francisco--a word from Peking,' contrasts idyllic images with the harsh reality of violence and conflict. The mention of 'a young Errol Flynn' starting trouble and the nostalgic longing for the past ('Better in my day--Oh Lord! / For when we got bored, we'd have a world war, happy but poor') underscores a cynical view of progress and a yearning for a time when life, despite its hardships, felt more straightforward. The song ultimately captures a deep sense of disillusionment with the modern world and a longing for escape, whether through nostalgia or simple daily routines.