Celosia

Gepe's song 'Celosia' delves into the complex interplay between time, emotions, and the often unspoken struggles that define human relationships. The lyrics paint a vivid picture of the protagonist's internal conflict and the passage of time, which seems both relentless and inconsequential. The opening lines, 'Miro hacia el jueves diciendo lunes que te caes encima,' suggest a sense of disorientation and the overwhelming nature of time, as days blur into one another. This sets the stage for a narrative that explores the protagonist's introspection and the weight of unexpressed feelings.

The recurring theme of time is further emphasized with lines like 'Desde la mañana, miro las horas que acumulan minutos,' highlighting the protagonist's fixation on the passage of time and the cyclical nature of their thoughts. The phrase 'Nada es nada' encapsulates a sense of existential ennui, where the protagonist feels trapped in a loop of meaningless repetition. This is compounded by the admission of feeling 'ultra atrasado,' or extremely delayed, in conveying important messages and emotions, suggesting a deeper struggle with communication and connection.

Gepe's lyrical style is both poetic and introspective, using metaphors and vivid imagery to convey the protagonist's emotional landscape. The line 'Un año entero de llenos y vacíos que se entrelazan' speaks to the highs and lows of life, the fullness and emptiness that coexist and shape our experiences. The song's refrain, 'De un día otro se hace y después se va,' serves as a poignant reminder of the transient nature of time and the fleeting moments that define our lives. Through 'Celosia,' Gepe invites listeners to reflect on their own experiences with time, communication, and the often unspoken emotions that linger beneath the surface.