No Me Falten Al Respeto

Gerardo Ortiz's song 'No Me Falten Al Respeto' delves into the complex interplay between respect and violence, a theme that resonates deeply within the context of Mexican narcoculture. The lyrics paint a vivid picture of a man who demands respect and is willing to go to extreme lengths to ensure it. Ortiz's character in the song is a figure who embodies both benevolence and malevolence, depending on how he is treated. This duality is captured in lines like 'Por las buenas soy un ángel, pero por las malas peor que Satanás,' which translates to 'When treated well, I am an angel, but when treated badly, I am worse than Satan.' This stark contrast highlights the precarious balance between kindness and brutality in his world.

The song also emphasizes the importance of loyalty and the harsh consequences of betrayal. Ortiz sings about his readiness to use violence to protect his interests and maintain his power. The imagery of 'munición y algunos explosivos' (ammunition and some explosives) and 'botas militares y cuernos de chivo' (military boots and AK-47s) underscores the militaristic and dangerous lifestyle he leads. This portrayal is not just about personal power but also about the collective strength and vigilance of his group, as indicated by 'Mi gente no discrimina, para estos negocios se encuentran al cien,' meaning 'My people do not discriminate, they are always ready for business.'

Despite the violent undertones, the song also touches on the enjoyment of life and camaraderie. Ortiz describes moments of leisure, surrounded by friends and beautiful women, with the band playing in the background. This juxtaposition of violence and celebration reflects the dual nature of his existence, where danger and pleasure coexist. The line 'Los problemas no me gustan, pero no me asustan pronto los resuelvo' (I don't like problems, but they don't scare me, I solve them quickly) encapsulates his pragmatic approach to life, where conflicts are inevitable but manageable, either through dialogue or force.