A Pastoral Symphony: The Essence of Gaucho Life in 'Um Quadro de Campo'

The song 'Um Quadro de Campo' by Gerson Brandolt and Beto Villaverde is a vivid portrayal of the pastoral life in the Brazilian countryside, particularly focusing on the traditions and daily routines of the gaucho culture. The lyrics paint a picturesque scene of rural life, filled with rich imagery and cultural references that evoke a deep sense of connection to the land and its traditions.

The song opens with the simple yet profound act of sharing a mate (a traditional South American drink) in the early morning, symbolizing camaraderie and the start of a day's work. The imagery of a horse ('pingo') ready for a day's labor and a heron ('garça') in the distance sets the stage for a day in the life of a gaucho. The sun rising and 'molding a quadro de campo' (a field scene) signifies the beginning of a new day filled with promise and hard work.

As the song progresses, it delves into the various elements of rural life, from the crowing of a rooster to the protective behavior of a bird ('andu') around its nest. These details highlight the interconnectedness of nature and human life in the countryside. The mention of a 'quero-quero' (a type of bird) singing and making people look towards the road adds a layer of anticipation and awareness of the surroundings.

The song also touches on the skills and traditions of the gaucho, such as the art of taming horses ('potro em ponto de doma') and the use of lassos. The detailed descriptions of these activities underscore the expertise and deep-rooted customs that define gaucho life. The closing lines, which describe the end of the day and the rising moon, bring a sense of closure and reflection, emphasizing the beauty and order of the natural world. The final sentiment that this 'quadro' (scene) is not 'órfão de criador' (orphaned of a creator) suggests a spiritual connection and reverence for the land and its divine creation.

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  1. No Cabo do Socador
  2. Um Quadro de Campo
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