Idolatrine

Ghost's song 'Idolatrine' delves into the sinister manipulation of vulnerable minds by false prophets and charlatans. The lyrics paint a vivid picture of a figure who preys on the weak and impressionable, using fear and guilt to control them. The term 'Idolatrine' itself is a portmanteau of 'idolatry' and 'latrine,' suggesting that the worship of these false idols is both degrading and filthy. The song critiques how these figures exploit the innocence of children, feeding them terrifying imaginations of hell and sin to maintain their power.

The repeated phrase 'Idolatrine for the imbeciles' underscores the contempt the narrator holds for both the deceivers and the deceived. The use of words like 'imbeciles,' 'debiles,' and 'simpletons' highlights the perceived foolishness of those who fall for these manipulations. The 'Disciples of the watch' awaiting the narrator's command further emphasizes the cult-like control these false prophets exert over their followers. The song's dark tone and imagery reflect a deep cynicism about organized religion and the ways it can be twisted to serve the interests of corrupt leaders.

The refrain 'Suffer little children to come unto me' is a chilling twist on a biblical phrase, turning a message of love and acceptance into one of domination and control. By invoking this phrase, the song highlights the perversion of religious teachings for personal gain. The mention of 'princes and princesses' suggests that no one is immune to this manipulation, regardless of their status. Ghost's 'Idolatrine' serves as a powerful critique of the dangers of blind faith and the exploitation of innocence by those in positions of power.