Parabolicamará

Gilberto Gil's song 'Parabolicamará' is a poetic exploration of the changing perceptions of time and space in the modern world. The lyrics juxtapose the past and present, highlighting how technological advancements have transformed our understanding of distance and connectivity. In the past, the world seemed vast and distant, with travel taking an eternity by traditional means like jangadas (rafts) and saveiros (sailing boats). Today, however, the world feels much smaller, thanks to the advent of technologies like the parabolic antenna, which symbolizes the rapid transmission of information and the shrinking of global distances.

The recurring phrase 'Ê volta do mundo, camará' (The world turns, my friend) serves as a reminder of the cyclical nature of time and the inevitability of change. Gil uses this refrain to emphasize that despite technological advancements, the essence of time remains elusive and uncontrollable. The song also touches on the idea that while technology can bring distant places closer, it cannot alter the fundamental nature of time, which 'mora no som da cabaça' (dwells in the sound of the gourd), a reference to traditional Brazilian instruments like the berimbau.

Gilberto Gil, a key figure in the Tropicália movement, often blends traditional Brazilian music with contemporary themes. In 'Parabolicamará,' he masterfully intertwines cultural references with modern realities, creating a rich tapestry that speaks to both the past and the present. The song is a reflection on how advancements in communication and travel have reshaped our world, making it simultaneously larger and smaller. It invites listeners to ponder the paradoxes of modern life and the enduring nature of time, all while celebrating the rich cultural heritage of Brazil.