Musical Genocide

Gregory Porter's song "Musical Genocide" is a powerful declaration against the dilution and commercialization of music. The term 'musical genocide' is a metaphor for the destruction of authentic musical expression, particularly genres like blues, gospel, and soul, which have deep cultural and emotional roots. Porter vehemently opposes the trend of sacrificing genuine artistry for mass appeal and commercial success. His repeated assertion, "I do not agree, this is not for me," underscores his refusal to conform to this trend, emphasizing his commitment to preserving the integrity of these musical traditions.

Porter calls for a return to music that tells real stories and conveys genuine emotions. He highlights the importance of blues songs that reveal the world's wrongs and gospel music that spreads messages of love. By mentioning the 'soul man' who holds the listener's heart in his hand, Porter pays homage to artists who pour their heart and soul into their music, sharing their experiences of love and pain. This imagery evokes a sense of intimacy and authenticity that Porter believes is being lost in contemporary music.

The song is not just a critique but also a call to action. Porter's passionate delivery and repeated pleas to "come on" urge listeners and fellow musicians to resist the pressures of the music industry and stay true to their artistic roots. His message is clear: music should be a reflection of genuine human experience, not a product molded to fit commercial trends. Through "Musical Genocide," Porter champions the preservation of musical genres that have historically given voice to marginalized communities and conveyed profound emotional truths.