Samba-Enredo 2024 - Sou Lia de Itamaracá, Cirandando a Vida Na Beira do Mar
GRES Império da Tijuca
Celebrating the Spirit of Lia de Itamaracá: A Samba-Enredo Tribute
The song 'Samba-Enredo 2024 - Sou Lia de Itamaracá, Cirandando a Vida Na Beira do Mar' by GRES Império da Tijuca is a vibrant homage to Lia de Itamaracá, a renowned Brazilian ciranda singer and cultural icon. The lyrics are a rich tapestry of cultural references, celebrating the Afro-Brazilian heritage and the natural beauty of Itamaracá Island. The song opens with a reverence to the Iabás, or female deities in Afro-Brazilian religions, setting a spiritual and respectful tone. This invocation is followed by an introduction of Lia herself, who embodies the spirit of the ciranda, a traditional Brazilian dance and music genre.
The lyrics paint a vivid picture of Lia's connection to the sea, the land, and the people of Itamaracá. Describing herself as a 'daughter of the waters' and a 'warrior woman,' Lia draws inspiration from the ocean's waves and the island's natural elements. The imagery of the 'brisa' (breeze) blowing through the sugarcane and coconut groves, and the moonlight serenading the rivers and mangroves, evokes a deep sense of place and belonging. This connection to nature is intertwined with Lia's artistic soul, which pulses with the folklore and vibrant colors of her homeland.
The chorus invites everyone to join in the ciranda, emphasizing the communal and inclusive nature of this dance. Lia is celebrated as a 'Rainha Preta' (Black Queen) with a powerful voice, symbolizing strength and resilience. The song also pays tribute to the hardworking people of the island, their traditions, and their daily lives. From the labor under the sun to the festive celebrations, the lyrics honor the cultural and social fabric of Itamaracá. The mention of the 'Galo da Madrugada,' a famous carnival parade, and the 'Império da Tijuca' highlights Lia's influence and the joy she brings to the carnival festivities. Ultimately, the song is a celebration of Lia's legacy, her music, and her role as a beloved cirandeira, embodying the essence of Afro-Brazilian culture and the spirit of Itamaracá.