The Geometry of Emotions in Gustavo Cerati's 'Rombos'

Gustavo Cerati's song 'Rombos' is a poetic exploration of perception, truth, and emotional states. The lyrics, though brief, are rich with imagery and metaphor, inviting listeners to delve into a deeper understanding of the human experience. Cerati, known for his profound and often abstract lyricism, uses the concept of 'rombos' (rhombuses) to symbolize complexity and multifaceted perspectives in life and relationships.

The opening lines, 'Cuando lee y rie / A veces es la misma / Pero mucho mas certera,' suggest a duality in the subject's nature. Reading and laughing are portrayed as moments of clarity and authenticity, where the person becomes more precise and true to themselves. This duality can be interpreted as the contrast between one's inner self and the persona they present to the world. The act of reading and laughing could symbolize moments of introspection and genuine joy, where the layers of pretense are stripped away.

The mention of 'Probo la crema / Sabe la verdad y está – serena' introduces a sense of tranquility and acceptance. The 'crema' (cream) could be a metaphor for life's experiences or wisdom gained over time. Knowing the truth brings serenity, suggesting that understanding and accepting reality leads to inner peace. This line emphasizes the importance of self-awareness and the calm that comes with it.

The recurring image of a 'cuarto lleno de rombos' (a room full of rhombuses) serves as a powerful metaphor for the complexity and multifaceted nature of life. Rhombuses, with their equal sides and angles, represent balance and symmetry, yet their shape can also imply a sense of disorientation or confusion when viewed from different angles. This imagery encapsulates the idea that life is filled with intricate patterns and perspectives, and finding clarity within this complexity is a profound journey.

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  1. Vivo
  2. Puente
  3. Beautiful
  4. Bocanada
  5. Fantasma
  6. Lago en el Cielo
  7. Engaña
  8. Adiós
  9. Crimen
  10. Verbo Carne
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