Hors D'Oeuvres

Roy Harper's song "Hors D'Oeuvres" is a biting critique of societal norms and the often blind adherence to authority and criticism. The song opens with a vivid depiction of a courtroom scene, where the judge and jury are portrayed as infallible figures. Harper uses exaggerated descriptions like "minds were ever such a size" and "brains bred answers just like flies" to mock the supposed wisdom and integrity of these figures. The imagery of a lead ball flying through the courtroom to "rip a hole clean between two eyes" symbolizes the harsh and often unjust judgments passed by those in power. The repeated line "you can lead a horse to water, but you're never gonna make him drink" underscores the futility of trying to change someone's inherent nature or beliefs, no matter how much guidance or force is applied.

The second verse shifts focus to critics, who are depicted as jaded and cynical individuals. Harper paints a picture of a critic who is more concerned with trivial matters and personal indulgences than with offering meaningful insights. The critic's dismissive attitude towards the singer and his work is evident in lines like "this singer's just a farce" and "I don't think this little song's gonna make the charts." Harper's use of crude and humorous language, such as "thinks in terms of booze and tarts" and "sagging tits no longer hold a full house of hearts," serves to further ridicule the superficiality and hypocrisy of critics. The refrain about leading a horse to water is repeated, reinforcing the idea that true understanding and change cannot be forced upon someone.

Overall, "Hors D'Oeuvres" is a satirical and thought-provoking commentary on the flaws and limitations of societal structures and the individuals who uphold them. Harper's clever wordplay and vivid imagery invite listeners to question authority and think critically about the world around them.