Mais Kriola
Hélio Matheus
Navigating Love and Responsibility in 'Mais Kriola'
Hélio Matheus's song 'Mais Kriola' is a rhythmic and soulful exploration of love, responsibility, and the complexities of relationships. The repetitive nature of the lyrics, particularly the phrase 'Mais uma vez eu me encontro parado na beira do porto' (Once again I find myself standing at the edge of the port), suggests a sense of waiting and contemplation. This imagery of the port, a place of arrivals and departures, symbolizes the uncertainties and transitions in life and love.
The recurring question 'Onde vamos, morena? Onde vamos morar?' (Where are we going, morena? Where will we live?) reflects a search for direction and stability in a relationship. The use of 'morena' and 'criola' highlights the cultural and racial identity of the woman, adding layers of cultural significance to the song. The term 'criola' is an affectionate term for a woman of African descent, emphasizing the beauty and allure of the woman in question.
The repeated warnings 'Não deixa essa mulher te levar, você não sabe a responsabilidade que dá' (Don't let this woman take you, you don't know the responsibility it brings) suggest a cautionary tale about the potential burdens and responsibilities that come with love and relationships. The song advises against being swept away by passion without considering the consequences. This theme is further reinforced by the lines 'Não mexe com chamego da nega não' (Don't mess with the affection of the black woman), which underscores the importance of respecting the depth and seriousness of romantic entanglements.
'Ê criola' serves as a refrain that punctuates the song, celebrating the woman's identity while also reminding the listener of the central theme of love's complexities. Hélio Matheus's musical style, characterized by its blend of samba, soul, and MPB (Música Popular Brasileira), provides a rich backdrop for these themes, making 'Mais Kriola' a poignant and culturally resonant piece.