Unidos Do Caralho A Quatro

“Unidos Do Caralho A Quatro” by Hermes e Renato is a satirical and irreverent samba that pokes fun at traditional Brazilian Carnival culture and masculinity. The song is filled with explicit language and humor, which is characteristic of the comedic style of Hermes e Renato, a Brazilian comedy troupe known for their provocative and often controversial content. The lyrics are a playful exaggeration of male bravado and sexual prowess, using crude metaphors and slang to describe the male genitalia in various humorous ways.

The song opens with a call to the audience, setting the stage for a parody of a traditional samba performance. The repeated phrase “Desde os tempos mais primórdios o caralho tá aí” (Since the earliest times, the dick has been there) is a hyperbolic statement that humorously elevates the male organ to a timeless and omnipresent entity. This exaggeration is further emphasized by the detailed and graphic descriptions of the penis, which are both absurd and comical. The use of terms like “roliço e veiudo” (thick and veiny) and “pentelhudo e cabeçudo” (hairy and big-headed) adds to the over-the-top nature of the song.

The chorus, with its catchy and repetitive lines, mocks the traditional samba themes of love and romance by replacing them with crude references to male anatomy and sexual acts. The song also includes a critique of societal norms and gender roles, with lines like “Mulher gosta é de dinheiro, quem gosta de peru é bicha” (Women like money, those who like dick are gay), which satirizes the materialistic and heteronormative attitudes often found in society. The song’s irreverent tone and explicit content challenge the listener to question and laugh at the absurdity of these stereotypes.

In essence, “Unidos Do Caralho A Quatro” is a bold and humorous commentary on masculinity, sexuality, and societal norms, wrapped in the festive and vibrant package of a samba performance. It uses satire and exaggeration to entertain while also provoking thought about the cultural constructs it parodies.