Comé (Rich Remix)

Hernâni's 'Comé (Rich Remix)' delves into the intricate and often morally ambiguous world of relationships, infidelity, and self-perception. The song's lyrics are a candid exploration of the artist's experiences and attitudes towards romantic entanglements, often highlighting the tension between loyalty and desire. Hernâni uses vivid imagery and metaphors to paint a picture of a man who is unapologetically involved in complex romantic situations, often at the expense of others' feelings.

The song opens with a provocative line that sets the tone for the rest of the track. Hernâni describes himself as being intimately involved with someone else's partner, a scenario that immediately introduces themes of betrayal and moral conflict. He acknowledges his role as a 'best man' in a wedding, yet simultaneously admits to being a 'g' who can't resist temptation. This duality is a recurring theme, as he grapples with his actions and their implications. The use of metaphors like 'life's a bitch' and 'don't hate the playa' further emphasizes his resigned acceptance of the chaotic nature of relationships.

Throughout the song, Hernâni also touches on societal perceptions and personal identity. He references cultural elements like 'hadouken' from Street Fighter, blending pop culture with his narrative to underscore his prowess and confidence. The lyrics also reveal a sense of self-awareness and reflection, as he contemplates the consequences of his actions, especially when he mentions the potential legal ramifications of his relationships. This introspection adds depth to the song, making it more than just a tale of infidelity but a commentary on the complexities of human behavior and societal norms.

In the latter part of the song, Hernâni addresses the listener directly, almost as if seeking understanding or forgiveness. He admits to his flaws and the hurt he may have caused, yet he remains unapologetic, suggesting a deep-seated belief in living life on his own terms. The repeated phrase 'não tinha motivos pra pegar tua namorada' (I had no reason to take your girlfriend) followed by 'mas epa peguei' (but I did) encapsulates the internal conflict and the inevitability of his actions. 'Comé' serves as a raw and unfiltered look into the artist's world, where moral lines are blurred, and personal desires often take precedence over societal expectations.