Madrid

Holden's song "Madrid" paints a vivid and enigmatic picture of the Spanish capital, using rich metaphors and evocative imagery to convey a sense of mystery and allure. The lyrics describe Madrid as a city adorned with glittering decorations, likened to being 'maquillée de strass' (made up with rhinestones) and 'saupoudrée de sucre' (sprinkled with sugar). These descriptions suggest a city that is both beautiful and artificial, a place that has been meticulously crafted but perhaps lacks a deeper, more authentic essence.

The song also portrays Madrid as a 'souricière' (a mousetrap) and an 'avenue sans marche arrière' (an avenue with no way back), hinting at a sense of entrapment or inevitability. This could reflect the artist's perception of the city as a place where one can easily get lost or trapped, both physically and emotionally. The mention of 'icônes à la voix cassée ou aphone' (icons with broken or mute voices) and 'anges qui dormaient sur les toits' (angels who slept on the roofs) adds to the sense of lost grandeur and faded glory, suggesting that the city once had a vibrant spirit that has since diminished.

Amidst this backdrop, the song introduces a tender and intimate moment between 'deux filles' (two girls) who 'se donnaient la main pour la première fois' (held hands for the first time). This scene contrasts sharply with the earlier descriptions of the city, offering a glimpse of genuine human connection and joy. The laughter of the girls, so intense that 'la plus belle a bien failli mourir- mourir de joie' (the most beautiful almost died of joy), serves as a poignant reminder of the fleeting yet profound moments of happiness that can be found even in the most enigmatic and complex places.