Maquillaje

The song 'Maquillaje,' written by Homero Expósito, delves into the theme of deception and the superficial layers that people often use to mask their true feelings and realities. The title itself, which translates to 'Makeup,' is a metaphor for the facades that the subject of the song puts on, both literally and figuratively. The lyrics suggest a sense of disillusionment with the person being addressed, as the speaker realizes that what they once thought was pure and youthful is actually tainted and artificial.

The song opens with a negation, immediately setting a tone of contradiction to what is traditionally considered beautiful or innocent ('ni es cielo ni es azul'). The use of makeup is described not as an enhancement of beauty, but as a trembling layer of deceit on the cheeks ('que tiembla en tus mejillas'). The imagery of 'ojeras con verdín' (dark circles with greenish tint) further paints a picture of decay beneath the surface. The mention of a mask made of clay ('tu máscara de arcilla') reinforces the idea of a constructed and fragile identity.

In the latter part of the song, the emotional depth is revealed as the speaker reminisces about a time when the person was without their 'makeup,' suggesting a moment of authenticity that was cherished ('sabrás cómo te amé, un día al despertar sin fe ni maquillaje'). The journey 'que desciende hasta el color final' could symbolize the inevitable end of the facade, where all pretenses fall away. The repeated word 'Mentiras' (Lies) emphasizes the theme of falsehood, and the poignant exclamation '¡te maquillaste el corazón!' (you've made up your heart!) suggests that the deception runs deep, affecting even the capacity for genuine emotion.