Esquinas porteñas

Homero Manzi Homero Manzi

Nostalgia and Lost Love in the Streets of Buenos Aires

Homero Manzi's song "Esquinas porteñas" is a poignant exploration of nostalgia, lost love, and the intimate connection between personal memories and the urban landscape of Buenos Aires. The lyrics paint a vivid picture of a neighborhood corner, where the walls are touched by the moon and the sun, symbolizing the passage of time and the blend of day and night in the narrator's memories. The imagery of winter rains crying on these walls evokes a sense of melancholy and longing, as the narrator reminisces about a past love that has left a lasting wound.

The song delves into the theme of lost hope and the futility of searching for something that is gone. The streets, once filled with gentle life, have now become places where hope, passion, and faith have been lost. The narrator reflects on the futility of seeking out a love that is no longer there, questioning why they continue to search for it when they know it is dead. The small streets, once shaded with poetry and happiness, now serve as a reminder of a time when the narrator and their love were happy together, but that time has passed, and the love has taken a path that does not return.

The winds and shadows in the song symbolize the narrator's sorrow and the departure of their love. The serene nights, where the narrator finds their love's name written like an obsession, highlight the deep emotional impact of this lost relationship. The neighborhood corner, with its walls painted by the moon and sun and stained by winter rains, becomes a powerful metaphor for the narrator's memories and the indelible mark that lost love has left on their heart. Manzi's lyrics beautifully capture the essence of longing and the inescapable nature of past love, set against the backdrop of Buenos Aires' evocative streets.

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  1. A Su Memoria
  2. Duerme
  3. Milonga sentimental
  4. Se va la murga
  5. Arrabal
  6. El pescante
  7. Milonga triste
  8. Sur
  9. Así es el tango
  10. El último organito
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