Almost (Sweet Music)
Hozier
The Melancholic Dance of Memory and Music in Hozier's 'Almost (Sweet Music)'
Hozier's 'Almost (Sweet Music)' is a lyrical journey that intertwines the themes of love, music, and memory. The song opens with the artist reflecting on a state of emotional exhaustion, possibly from past relationships or life's trials, as he mentions coming in 'from the outside' and being 'burned out from a joyride.' The reference to rolling in ashes suggests a rebirth or transformation, with someone new finding beauty in the remnants of his past experiences.
The song is rich with allusions to jazz music, with mentions of 'Stella by Starlight' and 'the numbered lovers of Duke Ellington,' which evoke a sense of nostalgia and a deep connection to music history. These references serve as metaphors for the artist's own romantic experiences, suggesting that just as these songs are timeless, so too are the emotions and connections they represent. The repeated chorus, 'I wouldn't know where to start / Sweet music playing in the dark / Be still, my foolish heart / Don't ruin this on me,' speaks to the vulnerability of starting over and the fear of heartbreak, urging his heart to not sabotage a potentially beautiful moment.
The song's narrative seems to capture the bittersweet feeling of moving on while still being haunted by the past. The lines 'I'm almost me again, she's almost you' indicate a struggle to regain his sense of self after a significant relationship and the difficulty of seeing traces of a past lover in someone new. The music serves as a backdrop to these emotions, both comforting and stirring memories. Ultimately, 'Almost (Sweet Music)' is a poignant reflection on the healing power of music and the complex dance between past love and the hope for new beginnings.