Televised
Hunny
The Allure and Illusion of Modern Love in 'Televised'
Hunny's song 'Televised' delves into the complexities of modern love and the escapism found in media. The lyrics paint a picture of a protagonist who is caught in a cycle of emotional highs and lows, seeking solace in the artificial brightness of televised images. The repeated mention of 'she's so bright' suggests an idealized figure or a perfect love that seems almost too good to be true, highlighting the contrast between reality and the glossy, edited versions of life we often see on screens.
The song opens with a sense of weariness and a longing to return to a state of comfort, as indicated by the line 'Take a Tylenol, took long enough to get back here, crying.' This sets the tone for a narrative of emotional exhaustion and the search for relief. The protagonist's fascination with the 'bright' figure can be seen as a metaphor for the allure of media and its ability to distract from real-life troubles. The line 'Pray to anything that's televised' underscores this dependency on media as a form of escapism.
The chorus, with its declaration of being in 'paradise' despite repeated heartbreak, suggests a paradoxical enjoyment of emotional turmoil. The protagonist seems to find a twisted comfort in 'sweet misery,' indicating a complex relationship with pain and pleasure. The phrase 'Wide awake and paper thin' captures the fragility and heightened sensitivity of the protagonist, who is acutely aware of their own vulnerability yet chooses to remain in a state of ignorant bliss. This reflects a broader commentary on how modern life, with its constant bombardment of media, can numb us to our own emotions and realities.
The song's closing lines reiterate the protagonist's decision to stay in their 'ignorant state of bliss,' captivated by the artificial brightness of their idealized love. This choice to remain in a state of illusion rather than face the harshness of reality speaks to the broader human tendency to seek comfort in fantasy, especially in an age where media is omnipresent and often more appealing than real life.