Untill Death...

Impaled's song 'Until Death...' delves into the dark and disturbing realms of necrophilia and extreme fetishism. The lyrics paint a vivid and grotesque picture of a protagonist who finds sexual gratification only through the act of death and the manipulation of corpses. The song's narrative is a chilling exploration of a twisted mind, where the boundaries between love, death, and sexual desire are blurred beyond recognition.

The song opens with the protagonist expressing a desire to be released from the curse of life, indicating a deep-seated dissatisfaction with the living world. This dissatisfaction is further emphasized by the protagonist's obsession with the recently deceased, suggesting a longing for control and dominance that can only be achieved through death. The lyrics are filled with graphic descriptions of exsanguination, dissection, and the harvesting of organs, all of which serve to highlight the protagonist's morbid fascination with the human body in its most vulnerable state.

Throughout the song, there is a recurring theme of love and intimacy intertwined with death and decay. Phrases like 'I long to see you with a death-white complexion' and 'I want to hold your hand when my fingers are degloved' juxtapose romantic sentiments with gruesome imagery, creating a stark contrast that is both unsettling and thought-provoking. The song culminates in a final act of consummation through death, where the protagonist finds ultimate release and fulfillment. This macabre union is described as the 'beauty of a fibrillating heart,' suggesting a perverse appreciation for the life that ebbs away in the act of dying.

Impaled's musical style, characterized by its brutal and unflinching approach to death metal, complements the lyrical content perfectly. The aggressive instrumentation and guttural vocals enhance the song's dark themes, making 'Until Death...' a haunting and unforgettable experience. The song challenges listeners to confront the uncomfortable and taboo aspects of human desire, pushing the boundaries of what is considered acceptable in both music and society.