Sensemayá (O Canto Para Matar Una Culebra)

“Sensemayá (O Canto Para Matar Una Culebra)” by Inti-Illimani is a powerful and evocative song that draws from Afro-Cuban folklore and ritualistic chants. The lyrics describe the process of killing a snake, a creature with “eyes of glass” that moves without legs and hides in the grass. The repetitive and rhythmic nature of the song, with its chant-like “Mayombé bombé, mayombé,” creates a hypnotic and ceremonial atmosphere, emphasizing the ritualistic aspect of the act.

The snake in the song can be interpreted as a symbol of evil or danger that needs to be eradicated. The detailed description of the snake’s characteristics and the method of killing it—using an axe rather than a foot to avoid being bitten—adds a layer of practical wisdom to the ritual. The repeated phrase “Sensemayá la culebra” reinforces the focus on the snake, almost as if invoking a spell to ensure its death. The song’s climax, where the snake is declared dead and unable to perform any of its natural functions, signifies the triumph of good over evil.

Inti-Illimani, a Chilean musical ensemble known for their Andean music, often incorporates social and political themes into their work. This song, while rooted in Afro-Cuban tradition, can also be seen as a metaphor for overcoming oppression or defeating a formidable adversary. The use of traditional instruments and rhythms connects the listener to a deeper cultural and historical context, making the song not just a narrative but a shared experience of resistance and victory.

The song’s rich imagery and cultural references invite listeners to reflect on the broader themes of struggle, resilience, and the power of collective action. The ritualistic killing of the snake becomes a powerful metaphor for confronting and overcoming challenges, both personal and societal.