Ele Sempre Volta - Springtrap (Five Nights At Freddy's)
Iron Master
The Eternal Return of Springtrap: A Tale of Tragedy and Revenge
The song 'Ele Sempre Volta - Springtrap (Five Nights At Freddy's)' by Iron Master delves deep into the dark and twisted narrative of William Afton, a central character in the Five Nights at Freddy's (FNAF) franchise. The lyrics are a haunting recount of Afton's descent into madness following the tragic death of his son, which sets off a chain of events leading to his transformation into the infamous Springtrap.
The song begins by highlighting the initial dreams and ambitions of William and Henry as they open their animatronic-themed franchise. However, the dream quickly turns into a nightmare with the death of William's son, an event that he blames on his other son, Michael. This loss becomes the catalyst for William's obsession with bringing his son back, leading him down a path of murder and mayhem. The lyrics poignantly capture William's grief and his twisted justification for his actions, as he believes that if he cannot have his children, no one else should either.
As the song progresses, it details William's continued descent into darkness, marked by the creation of more advanced animatronics and the subsequent deaths of more children. The recurring theme of 'he always comes back' underscores William's relentless pursuit of his goals, even as he becomes more monstrous. The lyrics also touch on the cyclical nature of the FNAF storyline, with new restaurants opening and closing, and the legend of Springtrap growing with each iteration.
The final verses of the song bring the narrative full circle, with William trapped in the Springtrap suit, waiting for the next opportunity to exact his revenge. The imagery of the burning building and William's vow to return encapsulate the eternal nature of his torment and his unending quest for vengeance. Iron Master's portrayal of Springtrap is both chilling and tragic, offering a deep dive into the psyche of one of FNAF's most notorious characters.