Para qué me casaría

Isabel Parra Isabel Parra

The Bitter Realities of Marriage: A Cueca's Lament

Isabel Parra's song "Para qué me casaría" is a poignant exploration of the disillusionment and suffering that can accompany marriage, particularly from a woman's perspective. The song is written in the style of a cueca, a traditional Chilean folk dance and musical form, which often carries deep cultural and emotional significance. The lyrics reflect a stark contrast between the protagonist's life before and after marriage, highlighting the regret and pain she experiences in her married life.

The opening lines, "La vida, para qué me casaría, la vida, tan bien que 'staba soltera," express a deep sense of regret. The protagonist laments her decision to marry, reminiscing about the freedom and happiness she enjoyed as a single woman. This sentiment is further emphasized by the comparison between her mother's physical discipline and her husband's abusive behavior. While her mother's actions were perhaps seen as a form of tough love, her husband's violence is depicted as cruel and public, adding to her humiliation and suffering.

The song also touches on the societal expectations and pressures that women face in marriage. The line "Mi marí'o me estima como una reina, no me deja costilla que no me quiebra" is a bitterly ironic statement. While the husband is supposed to cherish and honor his wife, he instead subjects her to physical abuse, breaking her ribs and spirit. The public nature of this abuse, as described in the lines "que me tira del pelo delante gente," underscores the protagonist's helplessness and the societal complicity in her suffering. Through this song, Isabel Parra sheds light on the harsh realities of domestic abuse and the often unspoken struggles of women within the institution of marriage.

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  1. Terciopelo negro
  2. En la frontera
  3. Canción de La Verónica
  4. Décimas Del Folklore Venezolano
  5. La hormiga vecina
  6. Río Manzanares
  7. Yo tuve una mariposa
  8. Canción de Tiempos
  9. Dulcecita
  10. La llama encendida
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