Au suivant

Jacques Brel Jacques Brel

The Haunting Echoes of Lost Innocence in 'Au suivant'

Jacques Brel's song 'Au suivant' is a poignant and haunting exploration of lost innocence and the dehumanizing effects of war and societal expectations. The lyrics paint a vivid picture of a young soldier, just twenty years old, who is thrust into a brutal and impersonal rite of passage in a military brothel. The repeated refrain 'Au suivant' (Next) underscores the mechanical and emotionless nature of the experience, as the young men are processed one after another, stripped of their individuality and humanity.

The song delves into the protagonist's yearning for tenderness and genuine human connection, which is starkly contrasted with the harsh reality he faces. The mention of 'Waterloo' and 'Arcole' serves as historical references to famous battles, highlighting the protagonist's realization that his personal battle is not one of glory but of deep regret and disillusionment. The 'adjudant de mes fesses' (sergeant of my buttocks) symbolizes the oppressive authority figures who perpetuate this cycle of dehumanization, leaving lasting psychological scars on the young men.

Brel's lyrics also touch on the pervasive and lingering trauma experienced by the protagonist. The voice of the sergeant, described as reeking of garlic and bad alcohol, becomes a haunting presence that the protagonist cannot escape. This trauma extends into his relationships with women, where the echo of 'Au suivant' continues to haunt him, preventing him from forming meaningful connections. The song culminates in a powerful and desperate cry for solidarity among all the 'suivants' (followers), suggesting that the collective experience of dehumanization is a shared burden. The final lines reveal a deep sense of despair and a desire to escape the cycle, even if it means resorting to extreme measures.

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  1. La valse à mille temps
  2. Vesoul
  3. Quand on n'a que l'amour
  4. La Chanson Des Vieux Amants
  5. Orly
  6. Amsterdam
  7. Jef
  8. La quête
  9. Le Plat Pays
  10. Mathilde
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