Curses, Invocation

Jim Morrison's 'Curses, Invocation' is a vivid and surreal exploration of society's outcasts and misfits. The song opens with a series of evocative and bizarre images, describing a parade of strange and grotesque characters. These 'weird bate-headed mongrels' and 'large buxom obese queen' represent the marginalized and often overlooked individuals in society. Morrison's use of vivid and sometimes crude language serves to highlight the raw and unfiltered nature of these characters, who are often dismissed or ridiculed by mainstream culture.

The song continues with a procession of various 'monsters,' each representing different facets of human nature and societal roles. From 'shit hoarders and individualists' to 'lustful fuck salesman,' Morrison paints a picture of a world filled with diverse and often contradictory personalities. This parade of characters can be seen as a metaphor for the human condition, with each individual playing a unique and sometimes grotesque role in the grand tapestry of life. The 'militant dandies' and 'drag strip officials' further emphasize the diversity and complexity of human nature, as well as the often absurd and contradictory nature of societal norms and expectations.

In the latter part of the song, Morrison shifts his focus to the power of words and language. He describes words as 'walking sticks' that can be planted and grown, highlighting their potential to shape and influence the world. Morrison's declaration that he will 'always be a word man' underscores his belief in the power of language to convey meaning and evoke emotion. This emphasis on words and their transformative power is a recurring theme in Morrison's work, reflecting his background as a poet and his deep appreciation for the written and spoken word.

Overall, 'Curses, Invocation' is a rich and complex exploration of society's outcasts, the diversity of human nature, and the power of language. Through his vivid and often surreal imagery, Morrison invites listeners to reflect on the often overlooked and marginalized aspects of society, as well as the transformative potential of words and language.