Cambalache

Joan Manuel Serrat's rendition of 'Cambalache' is a poignant and biting critique of societal decay and moral ambiguity. Originally written by Enrique Santos Discépolo in 1934, the song's lyrics lament the pervasive corruption and ethical decline that characterize the 20th century. Serrat's interpretation brings a timeless quality to the song, emphasizing that these issues are not confined to a specific era but are ongoing struggles. The opening lines set the tone, declaring that the world has always been a mess, filled with thieves, hypocrites, and frauds, and that this state of affairs persists into the modern age.

The song paints a vivid picture of a world where traditional values have eroded, and distinctions between right and wrong have blurred. Serrat sings about a society where being honest or a traitor, wise or ignorant, generous or a swindler, makes no difference. This moral relativism is further highlighted by the line, '¡Todo es igual! ¡Nada es mejor!' (Everything is the same! Nothing is better!). The lyrics suggest that the immoral have leveled the playing field, making it impossible to distinguish between the virtuous and the corrupt. This chaotic blend of characters, from historical figures to everyday people, underscores the song's theme of societal disarray.

The imagery in 'Cambalache' is striking, with references to a disrespectful shop window where life is mixed up and a wounded Bible crying against a heater. These metaphors illustrate the profound disrespect for tradition and morality that the song decries. The chorus, with its cynical advice to not worry about being honest because it doesn't matter, encapsulates the song's bleak outlook on human nature and societal values. Serrat's delivery adds a layer of melancholy and resignation, making 'Cambalache' a powerful commentary on the enduring issues of corruption and moral decline.