Ói Nóis Traveis
João Carreiro & Capataz
Celebrating Rural Life and Authenticity in 'Ói Nóis Traveis'
The song 'Ói Nóis Traveis' by João Carreiro & Capataz is a vibrant celebration of rural life and authenticity. The repetitive chorus, 'Ói nóis traveis, ói nóis, traveis aqui,' emphasizes the duo's return to entertain their audience with traditional 'modão caipira,' a genre of Brazilian country music. This repetition not only reinforces their presence but also creates a sense of community and continuity, inviting listeners to join in the festivities.
The lyrics reflect a straightforward, no-nonsense attitude towards life and music. The lines 'Quem gosta bate palma, quem não gosta vai embora' suggest a clear division between those who appreciate their music and those who don't, with no room for pretense. This sentiment is further echoed in the verse 'Se não gosta porque veio? Corta vorta e dá u fora,' which challenges the authenticity of those who don't genuinely enjoy the music. The song also highlights the importance of live music and communal enjoyment, as seen in the line 'Toca sanfoneiro o povo que vê teu fole,' where the accordionist's performance is central to the gathering.
The song also delves into social commentary, albeit in a humorous and somewhat controversial manner. The verse 'Quem não gosta de muié deve ter fogo no rabo' uses colloquial language to address societal norms and expectations regarding gender and sexuality. While the language may be seen as crude, it reflects the unfiltered, raw nature of rural life and the straightforwardness of the people. Additionally, the song touches on themes of materialism and authenticity in relationships, as seen in 'Mulherada hoje em dia tá de olho em quem tem grana,' contrasting the duo's lack of wealth and conventional attractiveness with their genuine nature.
Overall, 'Ói Nóis Traveis' is a lively, unapologetic anthem that celebrates the simplicity, authenticity, and communal spirit of rural Brazilian life, while also providing a platform for social commentary and humor.