Pra Que Discutir Com Madame

João Gilberto João Gilberto

The Resilient Spirit of Samba: A Cultural Rebuttal

João Gilberto's song 'Pra Que Discutir Com Madame' is a poignant and witty defense of samba, a genre deeply rooted in Brazilian culture. The lyrics present a dialogue with a 'madame' who criticizes samba, claiming it degrades society and should be eradicated. This 'madame' represents the upper-class, often Eurocentric perspective that looks down on samba, associating it with lower social classes and racial mixing. Gilberto uses her voice to highlight the prejudices and misconceptions held by the elite about this vibrant musical form.

The song cleverly juxtaposes the madame's disdain with the inherent value and democratic nature of samba. By stating that samba is a 'mistura de raça, mistura de cor' (a mix of race and color), Gilberto underscores its inclusive and diverse essence. The madame's complaints about samba being 'música barata' (cheap music) without value are met with irony, as the song itself is a testament to samba's rich cultural significance and emotional depth. The repeated refrain 'Pra quê discutir com madame?' (Why argue with madame?) suggests a resigned acceptance of her ignorance, while simultaneously mocking her narrow-mindedness.

In the latter part of the song, Gilberto humorously imagines a scenario where samba is replaced by opera and concert music during Carnival, a traditionally samba-filled celebration. This absurdity highlights the disconnect between the madame's elitist preferences and the authentic cultural expressions of the Brazilian people. The final lines reaffirm samba's worth, calling it 'brasileiro na batata' (truly Brazilian), emphasizing its role as a democratic and unifying force in society. Through this song, Gilberto not only defends samba but also critiques the social hierarchies and racial prejudices that seek to undermine it.

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  1. Besame Mucho
  2. Lobo Bobo
  3. Garota de Ipanema
  4. Maria Ninguém
  5. Solidão
  6. Samba da Minha Terra
  7. Pra Machucar Meu Coração (feat. Stan Getz e Antonio Carlos Jobim)
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  9. Ave Maria No Morro
  10. Sorriu Para Mim
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