Pode Maltratar

João Gomes' song 'Pode Maltratar' delves into the complexities of a relationship that thrives on the contrast between public perception and private reality. The lyrics reveal a dynamic where the protagonist's partner publicly disparages him, creating a facade for the 'cidade inteira' (entire city). Despite this, he remains unfazed because he knows that the same 'boca mentirosa' (lying mouth) that spreads rumors is also the one that kisses him in private. This duality highlights the tension between outward appearances and intimate truths, a common theme in many relationships.

The chorus, 'Me maltrata, pode maltratar, na frente dos outros eu vou deixar,' (Mistreat me, you can mistreat me, in front of others I will let it happen), underscores the protagonist's acceptance of this public mistreatment. He is willing to endure the facade because he knows that 'entre quatro paredes' (between four walls), their relationship is different. This phrase symbolizes the private space where their true feelings and dynamics are revealed, away from the prying eyes of society. It suggests a sense of resilience and understanding that what happens in public does not necessarily reflect the reality of their bond.

The song also touches on themes of deception and societal judgment. The protagonist is aware that others might see him as a fool ('Cê acha que eu sou otário'), but he is confident in the authenticity of their private moments. This juxtaposition of public and private personas is a powerful commentary on how relationships can be misunderstood or misjudged by those who only see the surface. João Gomes uses this narrative to explore the idea that true understanding and resolution in relationships often happen away from the public eye, in the intimate spaces where genuine emotions are laid bare.