GMF

John Grant's song 'GMF' is a complex blend of self-deprecation and self-aggrandizement, wrapped in a sardonic wit. The lyrics reveal a narrator who is acutely aware of his flaws, such as being difficult, talking too much, and overthinking. Despite acknowledging these traits, which could be seen as negative, the narrator defiantly proclaims himself as the 'greatest motherfucker' that one could ever meet. This bold statement serves as a chorus that contrasts with the verses filled with self-criticism, suggesting a deeper message about self-acceptance and the importance of confidence in the face of one's own imperfections.

The song also touches on themes of love and the desire to be accepted by others. The narrator invites someone to love him 'while it's still a crime,' implying a sense of urgency and the feeling of being an outsider. The repeated line about being able to laugh '65 percent more of the time' suggests that embracing oneself, despite flaws, can lead to a happier life. This idea is reinforced by the playful tone of the song, which uses humor to cope with the pain of self-awareness and the struggle for self-acceptance.

Lastly, the song delves into the narrator's internal conflict regarding his sexual orientation, as evidenced by the line 'I should not be attracted to males.' This personal revelation adds another layer to the song, highlighting the societal pressures and inner turmoil that can accompany the journey to self-acceptance. Grant's candidness in his lyrics, combined with his rich baritone voice and the melodic, piano-driven arrangement, creates a poignant anthem for anyone grappling with their identity and the courage it takes to be true to oneself.