Pre Code Hollywood

Jonathan Bree's 'Pre Code Hollywood' is a fascinating exploration of identity, rebellion, and nostalgia. The song delves into the struggles of modern life, where the pressures of conformity and societal expectations can lead to a sense of inner turmoil. The lyrics speak to the feeling of 'screaming inside' and 'losing your mind,' suggesting a deep-seated frustration with the status quo. Bree offers a form of solace, positioning himself as a 'certain devotee' who can be found in the 'corner booth of a speakeasy,' a place historically associated with rebellion and secrecy during the Prohibition era.

The repeated references to 'pre-code Hollywood' and 'Lon Chaney' evoke a time before the strict enforcement of the Hays Code in the 1930s, a period when films were more daring and less censored. This metaphor serves to highlight a longing for a time when artistic expression was less restricted. Bree's self-identification as a 'freak' and 'man of a thousand faces' further emphasizes his role as an outsider and a chameleon, someone who defies conventional norms and embraces a multitude of identities. The mention of 'Gen X slacker zero' and 'antihero' ties this sense of rebellion to more contemporary cultural references, suggesting a continuity of this outsider status across generations.

The song also touches on the limitations of free speech in today's world, with lines like 'There's no freedom left in speaking your mind' and 'Now we're living through 1984,' a direct nod to George Orwell's dystopian novel. This adds a layer of social commentary, critiquing the current climate where expressing one's true thoughts can be risky. Bree's invitation to 'take a sip and recline' in the speakeasy serves as a metaphorical escape from these constraints, offering a space where one can be their true, unfiltered self. Through its rich tapestry of historical and cultural references, 'Pre Code Hollywood' becomes a powerful anthem for those who feel marginalized and yearn for a more authentic form of self-expression.